Some criteria for thinking about relational projects:
What is the work being freed from? Formally? Aesthetically? In terms of process?
What is the work being freed to do? "
How is "environment" established?
How are participants engaged?
How does the work relate to other/older artistic traditions?
how does the work situate itself outside of "art"?
How can it be judged? By what criteria?
Wednesday, October 28, 2009
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