Wednesday, October 28, 2009

Some criteria for thinking about relational projects:

What is the work being freed from? Formally? Aesthetically? In terms of process?
What is the work being freed to do? "

How is "environment" established?

How are participants engaged?

How does the work relate to other/older artistic traditions?
how does the work situate itself outside of "art"?

How can it be judged? By what criteria?

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